The desire for a consistent musical accompaniment to a film with no spoken dialog was one of the major motivations driving the development of recorded soundtracks. Completely improvised accompaniments from a solo keyboard, utilizing the same sort of themes was also common, along with fully written-out, original scores. Throughout the silent film era, such composite accompaniments from a stock library were one of the most common methods of providing uninterrupted music for the film. Suite Ancienne was originally published as chamber music for accompanied violin, cello, or piano solo. Parts could be obtained either from the sheet publisher, or pulled from the extensive libraries that large theaters maintained. Copyright is ascribed to Carl Fischer, with the first eight bars prompted on the sheet. Depending on the venue, this might be played by an orchestra, a tiny ensemble, a pipe organ or a piano. 108 is called for as cue#16, a title, approximately twenty-three minutes into the film. Hadley's "Plaintiff" from his Suite Ancienne, Op.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |